Category : Allgemein

BALTIC SEA PHILHARMONIC AND KRISTJAN JÄRVI TO TOUR BALTIC STATES, FINLAND AND RUSSIA IN MARCH 2019

The Baltic Sea Philharmonic and Kristjan Jarvi will begin their first major tour of 2019 in Palanga, Lithuania, on 11 March. The ‘Nordic Pulse’ tour will take the orchestra on to three European capitals – Riga (12 March), Tallinn (16 March) and Helsinki (17 March) – before concluding in St. Petersburg (19 March). The tour includes debuts for the orchestra at the Palanga Concert Hall, the ultra-modern Mariinsky II in St. Petersburg, and the Alvar Aalto-designed Finlandia Hall in Helsinki. The tour will also underline the Baltic Sea Philharmonic’s commitment to protecting the Baltic Sea environment, with a benefit concert for the John Nurminen Foundation in Finland and a special concert at the environmental forum Baltic Sea Day in St. Petersburg.

‘Nordic Pulse’ – music of light and magic

‘Nordic Pulse’ is inspired by nature, and by the fairytale magic of Tchaikovsky’s The Sleeping Beauty. The programme includes Kristjan Järvi’s Northern Lights-inspired Aurora, Pēteris Vasks’s meditative second violin concerto Vientuļais Eņģelis (Lonely Angel) and Gediminas Gelgotas’s 2018 Violin Concerto. The soloist in both concertos is Swiss violinist David Nebel.

The programme closes with a memorised performance of Järvi’s arrangement of the concert suite from Tchaikovsky’s great ballet The Sleeping Beauty. Playing without sheet music has rapidly become part of the Baltic Sea Philharmonic’s identity after the ensemble made history in 2017 by becoming the first orchestra in the world to perform Stravinsky’s The Firebird from memory. ‘Performing from memory is all about chemistry and communication,’ says Järvi. ‘It intensifies the connection between the players, bringing them closer together.’

The ‘Nordic Pulse’ tour will also feature the Baltic Sea Philharmonic’s debut collaboration with Estonian singer-songwriter Mick Pedaja. A performer whose ambient, flowing, electronic-enriched music is strongly inspired by landscape and nature, Pedaja released his latest album Avaimus in December 2018. He will open each ‘Nordic Pulse’ concert with a special performance alongside the orchestra.

Protecting the Baltic Sea

Ever since it was founded in 2008, the Baltic Sea Philharmonic has been committed to the environment, and especially the Baltic Sea itself. ‘This body of water is the engine of the whole Nordic region and must be cherished and protected,’ says Järvi. The ‘Nordic Pulse’ tour will underline the orchestra’s environmental vision in two significant ways. Firstly, in Helsinki the orchestra will support the work of the John Nurminen Foundation, with one Euro of every concert ticket sold going towards the Foundation’s projects to protect the waters of the Baltic Sea. Secondly, the orchestra will give a special extra concert in St. Petersburg on 21 March, at the grand, Rococo-style Catherine Palace, for delegates to the 20th annual Baltic Sea Day, an international forum that focuses on ways to protect the Baltic Sea marine environment.

Recruiting new musical talent

The Baltic Sea Philharmonic regularly auditions the best and brightest young musicians from across the Baltic Sea region in order to renew and refresh the pool of outstanding players who perform with the orchestra on tour. In March the orchestra will run its Talent Tour 2019 alongside the ‘Nordic Pulse’ tour, giving musicians the opportunity to audition in Palanga (8 March), Riga (13 March), Tallinn (15 March), Helsinki (18 March) and St. Petersburg (19 March). A new two-stage audition process will feature both a solo round and the chance to join a full rehearsal with the entire orchestra. Full details are available here.

For details of the ‘Nordic Pulse’ tour and to book tickets, see our concert calendar here

‘Nordic Pulse’ Tour

Monday, 11 March 2019, 7.00 pm, Palanga (Palanga Concert Hall), Lithuania
Tuesday, 12 March 2019, 7.00 pm, Riga (Great Guild Concert Hall), Latvia
Saturday, 16 March 2019, 7.00 pm, Tallinn (Estonia Concert Hall), Estonia
Sunday, 17 March 2019, 3.00 pm, Helsinki (Finlandia Hall), Finland
Tuesday, 19 March 2019, 7.00 pm, St. Petersburg (Mariinsky II), Russia
Thursday, 21 March 2019, 7.00 pm, St. Petersburg (Baltic Sea Day / Catherine Palace), Russia

Baltic Sea Philharmonic
Kristjan Järvi
David Nebel
Mick Pedaja

Pēteris Vasks
Vientuļais Eņģelis (Lonely Angel), Meditation for violin and string orchestra

Kristjan Järvi
Aurora

Gediminas Gelgotas
Violin Concerto

Peter I. Tchaikovsky
The Sleeping Beauty concert suite arranged by Kristjan Järvi – from memory

Jean Sibelius
ʻSong of Praise’ from Svanevit, Op. 54 – Finland only

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TICKETS GO ON SALE FOR BALTIC SEA PHILHARMONIC’S ‘MIDNIGHT SUN’ CONCERTS IN GERMANY THIS SUMMER

The Baltic Sea Philharmonic and Kristjan Järvi will return to the Philharmonie in Berlin and Hamburg’s Elbphilharmonie this summer with ‘Midnight Sun’, an exciting new programme that the orchestra will perform entirely from memory. Tickets for both concerts (in Berlin on 26 June, and Hamburg on 2 July) go on sale this Thursday, 24 January. The orchestra last performed at the Philharmonie in Berlin in 2014, and made a spectacular debut at the Elbphilharmonie in August 2017 with the immersive concert show ‘Waterworks’.

‘Midnight Sun’ – magical Arctic soundscapes
‘Midnight Sun’ is at once a celebration of nature and Nordic unity. The phenomenon of the sun never setting at night is experienced around the time of the summer solstice in the far north of Norway, Finland, Sweden, Russia and other countries that straddle the Arctic Circle. ‘It’s a phenomenon that only the populations of the north are favoured with,’ says Kristjan Järvi. ‘It unites Nordic communities, and with this musical programme we are reiterating that message of Nordic unity.’

‘Midnight Sun’ opens with Rautavaara’s Cantus Arcticus, his concerto for birds and orchestra that features taped birdsong recorded around the Arctic Circle and in the marshlands of Liminka in northern Finland. Norwegian violinist Mari Samuelsen will then perform four works with the orchestra: Kristjan Järvi’s Aurora, which is inspired by the aurora borealis, or Northern Lights; Arvo Pärt’s Fratres, a classic example of his ‘tintinnabuli’ style; Pēteris Vasks’s meditative second violin concerto ‘Lonely Angel’; and Dona Nobis Pacem by German-born British composer Max Richter. ‘Midnight Sun’ climaxes with more magical light, this time courtesy of the mythical Firebird of Russian folklore, in Stravinsky’s 1945 orchestral version of his great ballet The Firebird.

Playing by heart
The Baltic Sea Philharmonic musicians will play the entire ‘Midnight Sun’ programme from memory, bringing a thrilling extra dimension to the performance. ‘Performing from memory is all about chemistry and communication,’ says Järvi. Playing by heart intensifies the connection between the players, bringing them closer together, and is a natural reflection of the Baltic Sea Philharmonic’s mission to unite people across the whole Nordic region.

Book your tickets for the Berlin concert here and the Hamburg concert here. See our concert calendar for more details about ‘Midnight Sun’ and our other tours in 2019. Both ‘Midnight Sun’ concerts are presented by the Baltic Sea Music Education Foundation e.V., the Berlin concert is organized in close cooperation with Young Euro Classic.

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Talent Tour 2019: Baltic Sea Philharmonic and Kristjan Järvi looking for the best new talents – Application deadline 5 February 2019

The Baltic Sea Philharmonic and Kristjan Järvi are calling out for the best talents and the brightest musical personalities from across the Baltic Sea region to apply for the upcoming Talent Tour 2019. Young musicians who are open to new ideas and approaches to performing are invited to apply for the Baltic Sea Philharmonic and experience the orchestra’s unique spirit. The new orchestra members will have the chance to perform innovative concert programmes, such as playing an entire concert by memory, and join the orchestra for the ‘Midnight Sun’ tour in June and July, with concerts at the world-famous Berliner Philharmonie and the Elbphilharmonie Hamburg.

The Talent Tour 2019 is open to music students who are 18 to 28 years old and are string, wind, brass or percussion players. Furthermore, they need to be residents of, or hold a passport from, Denmark, Estonia, Finland, Germany, Latvia, Lithuania, Norway, Poland, Russia or Sweden, or be international students enrolled in a music academy in one of the ten aforementioned countries for 2018–2019 (regardless of nationality).

Talent Tour Dates 2019
The Talent Tour 2019 stops in Lithuania, Latvia, Estonia, Finland and Russia in March 2019 as part of the Baltic Sea Philharmonic’s ‘Nordic Pulse’ tour. The tour will continue with a Talent Day in Germany on 27 June 2019 as part of the ‘Midnight Sun’ tour. The application deadline is 5 February 2019 for the March dates and 15 May 2019 for the Berlin date.

Friday, 8 March 2019, Palanga, Lithuania
Wednesday, 13 March 2019, Riga, Latvia
Friday, 15 March 2019, Tallinn, Estonia
Monday, 18 March 2019, Helsinki, Finland
Tuesday, 19 March 2019, St. Petersburg, Russia
Thursday, 27 June 2019 Berlin, Germany

Talent Tour 2019 – A new way of auditioning
The Baltic Sea Philharmonic’s new and unique approach to making music in the 21st century is also reflected in the structure and procedure of the Talent Tour. In the first round, applicants are asked to perform a piece of their choice in front of the Baltic Sea Philharmonic’s principal musicians and conductor Kristjan Järvi. Kristjan and the principals will decide, together as a team, which applicants have the talent and the personality to thrive in the orchestra. Musicians who successfully complete the first round will be invited to play a joint orchestra rehearsal. This way, current members of the Baltic Sea Philharmonic are involved in choosing their future fellow musicians and are able to shape the orchestra’s future.

For details of the applicaiton and further information, see here

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BALTIC SEA PHILHARMONIC FOLLOWS UP SUCCESSFUL TENTH-ANNIVERSARY YEAR WITH EXCITING PLANS FOR 2019

This past year has been a special one for the Baltic Sea Philharmonia. In a year when the orchestra celebrated its tenth anniversary, there were plenty of memorable highlights, including a first ever tour outside Europe, a public commendation from German Chancellor Angela Merkel, and an entire concert performed from memory. Now the Baltic Sea Philharmonic and Kristjan Järvi can reveal their exciting programmes and touring plans for 2019. Three concert tours – ‘Nordic Pulse’, ‘Midnight Sun’ and ‘Divine Geometry’ – will feature collaborations with violinists Mari Samuelsen and David Nebel and pianist Simone Dinnerstein, and will take the Baltic Sea Philharmonic to some of Europe’s most renowned concert halls, including Finlandia Hall in Helsinki, the concert hall of the Mariinsky Theater in St Petersburg, the Berlin Philharmonie, and the Elbphilharmonie in Hamburg.

‘Nordic Pulse’ – music of light and magic
The Baltic Sea Philharmonic’s ‘Nordic Pulse’ tour of the Baltic States, Finland and Russia in March 2019 features concerts in three European capitals – Riga, Tallinn and Helsinki – as well as Russia’s second largest city, St Petersburg. The programme begins with Kristjan Järvi’s Aurora, a piece inspired by the Northern Lights, and ends with music from Tchaikovsky’s ballet The Sleeping Beauty. Kristjan has arranged a concert suite from Tchaikovsky’s magical score, which the Baltic Sea Philharmonic will perform from memory.

Swiss violinist David Nebel will join the orchestra to perform Lithuanian composer Gediminas Gelgotas’s Violin Concerto and Pēteris Vasks’s ‘Lonely Angel’, a ‘meditation’ for violin and string orchestra. The ‘Nordic Pulse’ concert in Helsinki will underline the Baltic Sea Philharmonic’s commitment to the environment: one Euro from each ticket purchased will go to the John Nurminen Foundation, a Finnish organisation that promotes projects dedicated to a clean Baltic Sea.

 ‘Midnight Sun’ – a celebration of nature and Nordic unity
The Baltic Sea Philharmonic’s ‘Midnight Sun’ tour of Germany in June and July 2019 is inspired by the phenomenon of the sun never setting at night. ‘It’s a phenomenon that only the populations of the far north are favoured with,’ says Kristjan. ‘It unites Nordic communities, and with this musical programme we are proclaiming a message of Nordic unity.’

The ‘Midnight Sun’ programme opens with Rautavaara’s Cantus Arcticus, his concerto for birds and orchestra that features taped birdsong recorded around the Arctic Circle and in the marshlands of Liminka in northern Finland. Norwegian violinist Mari Samuelsen then joins the orchestra to perform four works: Kristjan’s Aurora, in a version for violin and orchestra; Arvo Pärt’s Fratres, a classic example of his ‘tintinnabuli’ style; Pēteris Vasks’s ‘Lonely Angel’; and Dona Nobis Pacem by Max Richter. ‘Midnight Sun’ climaxes with Stravinsky’s 1945 orchestral version of his great ballet The Firebird. The Baltic Sea Philharmonic will perform the entire programme from memory, bringing a thrilling extra dimension to these scores.

‘Divine Geometry’ – connecting past and present, Baroque and minimalism
The Baltic Sea Philharmonic and Kristjan Järvi explore the past and present through two distinct musical eras in Divine Geometry’, a new programme that the orchestra will perform in Merano, Italy, and at the Usedom Music Festival in Peenemünde, Germany, in September 2019. Contemporary arrangements of music by Baroque masters Bach and Handel share the programme with American minimalist Philip Glass’s Piano Concerto No. 3. Pianist Simone Dinnerstein, who premiered this concerto in September 2017, will be the soloist again for these performances with the Baltic Sea Philharmonic.

The ‘Divine Geometry’ concert at the Usedom Music Festival will also feature the German premiere of a major new work by another great American minimalist, Steve Reich: his ‘Music for Ensemble and Orchestra’ was co-commissioned by the Baltic Sea Philharmonic, the New York Philharmonic, the Los Angeles Philharmonic, the San Francisco Symphony, the London Symphony Orchestra and the Sydney Symphony Orchestra.

2018 in review
A ‘Waterworks’ tour of the United Arab Emirates in November 2018 crowned the Baltic Sea Philharmonic’s tenth-anniversary year. It was the ensemble’s first ever tour outside Europe, and was the first tour on which the orchestra performed all its music from memory. The groundbreaking immersive ‘Waterworks’ experience, presented in collaboration with Sunbeam Productions, thrilled more than 2,800 listeners at the Dubai Opera and the sold-out Emirates Palace in Abu Dhabi. The programme included Handel’s Water Music and water-inspired works by Charles Coleman, David Rozenblatt and Philip Glass.

In September the Baltic Sea Philharmonic and Kristjan Järvi toured Italy, Germany and Poland with ‘Nordic Pulse’, a programme celebrating the tenth anniversary of the orchestra and 100 years since the declarations of independence by Estonia, Latvia, Lithuania, Finland and Poland. The programme featured music by composers from all five countries, and the orchestra performed Kristjan’s arrangement of Sibelius’s The Tempest concert suite and the first movement of the ‘Rock’ Symphony by Latvian composer Imants Kalniņš entirely from memory.

A sold-out ‘Nordic Pulse’ concert at the Usedom Music Festival in Peenemünde attracted 1,300 people, including German Chancellor Angela Merkel, who in her opening speech praised the ‘depth and elegance’ of the Baltic Sea Philharmonic and said: ‘The members of the orchestra embody international understanding; they use music as a timeless language that can be understood across borders.’

Check out the Baltic Sea Philharmonic’s concert schedule for 2019 and book tickets here. See our Facebook page for photos and videos from our 2018 tours

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BALTIC SEA PHILHARMONIC COMPLETES TENTH-ANNIVERSARY YEAR WITH HISTORIC TOUR OF UNITED ARAB EMIRATES

The Baltic Sea Philharmonic and Kristjan Järvi have completed a landmark tour of the United Arab Emirates (UAE). The orchestra’s ‘Waterworks’ tour, which featured performances in Abu Dhabi on 11 November and Dubai on 14 November for over 2,800 people, was its first concert tour outside Europe and the final tour of its tenth-anniversary year. In another first for the Baltic Sea Philharmonic, the entire programme was performed from memory at both concerts.

‘Waterworks’: from the Baltic Sea to the Persian Gulf
The historic tour of the UAE involved 60 musicians, who came together in Germany for three days of intensive rehearsals before making the 6,500 km journey to Abu Dhabi. The orchestra’s revolutionary ‘Waterworks’ programme, presented in collaboration with Sunbeam Productions, brought a new dimension to the concert experience for audiences at the Dubai Opera and a sold-out Emirates Palace in Abu Dhabi. State-of-the-art lighting by Bertil Mark, sound design by Chris Ekers and cutting-edge projection art by Philipp Geist created an immersive environment in which sound and music were fused with light and images.

The water-inspired musical programme brought together selections from Handel’s Water Music with a new orchestration of Philip Glass’s Aguas da Amazonia. Handel’s music was framed by two contemporary pieces, Drenched by Charles Coleman and Flux by David Rozenblatt. The concert in Dubai also featured Glass’s Violin Concerto No. 2 ‘The American Four Seasons’, performed by Russian-born soloist Mikhail Simonyan. For both concerts, the orchestra was joined by three members of the New York-based Absolute Ensemble: trumpet player Charlie Porter, bassist Mat Fieldes, and percussionist and Flux composer David Rozenblatt.

Championing memorised performances has given the Baltic Sea Philharmonic a unique identity in recent years. Having made history in 2017 by becoming the first orchestra in the world to perform Stravinsky’s The Firebird from memory, the ensemble took playing by heart to a new level on its tour of the UAE by performing the entire concert programme from memory.

Audience members praised the orchestra’s performances, with Julie Adrienne Troup, who attended the concert in Abu Dhabi, commenting afterwards on Facebook: ‘A performance of mesmerising inspirational beauty that resonated with us. Wow!’ Another Abu Dhabi concert goer, Grace S. Thomson, wrote on Facebook: ‘It was spectacular. Young musicians and a beautiful selection of masterpieces. We loved it!’

New partnership with UAE Ministry for Culture and Knowledge Development
The orchestra’s ‘Waterworks’ tour marked the start of a strategic collaboration with the UAE’s Ministry of Culture and Knowledge Development, one of the tour’s principal supporters. The Baltic Sea Philharmonic and the Ministry anticipate that this successful tour will lay the ground for future cultural collaborations between the Baltic Sea countries and the United Arab Emirates. As a celebration of the new partnership, Emirati singer Jasim Mohamed Abdullah joined the orchestra at Abu Dhabi’s Emirates Palace to perform the traditional song ‘Sayyidi ya sayyed saddati’. The concert in Abu Dhabi was attended by the UAE Minister of Culture and Knowledge Development, H.E. Noura Al Kaabi.

A return to the Baltics in March 2019
The Baltic Sea Philharmonic will begin its eleventh year of international touring in March 2019 with ‘Nordic Pulse’, a tour of Lithuania, Latvia, Estonia, Finland and Russia. Kristjan Järvi will conduct the orchestra in a programme including a memorised performance of his arrangement of the concert suite from Tchaikovsky’s great ballet The Sleeping Beauty.

See our Facebook page for concert photos and behind-the-scenes video from the ‘Waterworks’ tour of the UAE

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Baltic Sea Philharmonic and Kristjan Järvi to make historic ‘Waterworks’ tour of United Arab Emirates in November 2018

The Baltic Sea Philharmonic will give its first ever concerts in the Middle East this November, presenting its revolutionary ‘Waterworks’ programme – a new dimension to experience music – in collaboration Sunbeam Productions on a tour of the United Arab Emirates. Kristjan Järvi will conduct the orchestra in performances at Abu Dhabi’s Emirates Palace on 11 November and the Dubai Opera on 14 November. The tour marks the climax of the Baltic Sea Philharmonic’s landmark tenth-anniversary year, and will be the orchestra’s first tour outside Europe.

‘Waterworks’ – inspired by the wonder of water
Water, in the form of the Baltic Sea, is at the heart of the Baltic Sea Philharmonic’s identity, connecting the ten Nordic countries from where the orchestra draws its musicians and inspiration. The ensemble has always been connected to nature and the environment, and ‘Waterworks’ celebrates water in all its forms. Kristjan Järvi, the orchestra’s Founding Conductor and Music Director, says: ‘Water is the essence of life and the binding force for all humanity. The Baltic Sea is the engine of our region, but it also connects us to all the other waters of the world.’ The ‘Waterworks’ programme features music directly inspired by water: a unique version of Handel’s spectacular Water Music and a new orchestration of Philip Glass’s Aguas da Amazonia. The programme also includes another work by Glass that takes its inspiration from nature – his Violin Concerto No. 2 ‘The American Four Seasons’.

The Baltic Sea Philharmonic’s supercharged version of Water Music sets a selection of Handel’s own music alongside two contemporary pieces: Flux by David Rozenblatt and Drenched by Charles Coleman. Rozenblatt is a percussionist, composer and member of the New York-based Absolute Ensemble, and will join the Baltic Sea Philharmonic as a performer on the ‘Waterworks’ tour. He says of his new piece: ‘Flux explores the paradoxically oppositional significance of water. What is at once majestic and enchanting, the source of life itself, can also devastate and overwhelm, becoming a threat to that very existence. My goal in this piece was to embody the motion of water, contemplating its beauty and grandeur as well as its capacity to create or destroy.’

Reimagining the concert experience
‘Waterworks’ is a radical reinvention of the live orchestral concert. Debuted by the Baltic Sea Philharmonic in 2017 to great acclaim from critics and audiences alike, ‘Waterworks’ fuses music with state-of-the-art lighting, sound design and projection art. Kristjan Järvi and his production company Sunbeam Productions have brought together a world-class creative team in lighting designer Bertil Mark, sound designer Chris Ekers and projection artist Philipp Geist. Together they will collaborate with the orchestra in real time to reimagine the concert experience, immersing audiences in a thrilling world of sound, light and imagery. ‘I want to create an atmosphere from the moment a concert goer enters the space,’ says Järvi. ‘The audience should feel like they are suddenly entering a new dimension, a world where anything is possible.’

Friends old and new
The Baltic Sea Philharmonic’s tour of the United Arab Emirates will reunite the orchestra with Russian-born violinist Mikhail Simonyan and three members of the Absolute Ensemble – trumpeter Charlie Porter, bass player Mat Fieldes, and percussionist David Rozenblatt. All four musicians collaborated with the orchestra on its 2017 ‘Waterworks’ tour of Germany and Denmark. Simonyan returns as soloist in Philip Glass’s Second Violin Concerto, and the Absolute Ensemble players will be embedded in the orchestra for the whole of each performance. The Baltic Sea Philharmonic is also excited to be working for the first time with Emirati singer Jasim Mohamed Abdullah, who will join the orchestra for its concert at the Emirates Palace in Abu Dhabi on 11 November.

The ‘Waterworks’ concert tour to the United Arab Emirates is supported by the United Arab Emirates Ministry of Culture & Knowledge Development and OMV Aktiengesellschaft as tour sponsor.

For more information about the music and musicians of ‘Waterworks’, see the complete Waterworks programme.

 

11 November 2018, 7.30 pm, Abu Dhabi (Emirates Palace), United Arab Emirates

Baltic Sea Philharmonic
Kristjan Järvi
Mikhail Simonyan
Jasim Mohamed Abdullah

‘Waterworks’
Sayyidi ya sayyed sadati

Charles Coleman (1968)
Drenched

David Rozenblatt (1973)
Flux

Philip Glass (1937)
Aguas da Amazonia
orchestrated by Charles Coleman

14 November 2018, 8.00 pm, Dubai (Dubai Opera), United Arab Emirates

Baltic Sea Philharmonic
Kristjan Järvi
Mikhail Simonyan

‘Waterworks’

Charles Coleman (1968)
Drenched

Georg Friedrich Händel (1685 – 1759)
Water Music HWV 350/16

David Rozenblatt (1973)
Flux 

Philip Glass (1937)
Violin Concerto No. 2 The American Four Seasons

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Celebration of special anniversaries with ‘Nordic Pulse’ tour of Italy, Germany and Poland of the Baltic Sea Philharmonic and Kristjan Järvi

The Baltic Sea Philharmonic and Kristjan Järvi completed a special anniversary tour of Italy, Germany and Poland with a concert in Gdańsk on 24 September. The 15-day ‘Nordic Pulse’ tour was a double celebration for the Baltic Sea Philharmonic, marking ten years since the orchestra’s creation and also the 100th anniversary of independence for the three Baltic States, Finland and Poland. Composers from all five countries were represented on the programme: Wojciech Kilar from Poland; Lithuanian Gediminas Gelgotas; Arvo Pärt and Kristjan Järvi from Estonia; Finland’s greatest composer Jean Sibelius; and Imants Kalniņš from Latvia.

The orchestra reinforced its commitment to memorised performance by playing a special arrangement by Kristjan of the concert suite from Sibelius’s The Tempest – as well as the first movement of Kalniņš’s ‘Rock’ Symphony and two encores – completely by heart. Norwegian violinist Mari Samuelsen made her debut with the orchestra in Arvo Pärt’s Fratres and Kristjan’s violin concerto Aurora.

‘Nordic Pulse’ – a vibrant journey through Europe
The orchestra’s 65 musicians prepared for ‘Nordic Pulse’ with five days of intensive rehearsals in the Bavarian village of Pielenhofen. They then set off on an ten-day tour during which they would travel more than 1,800 km across Europe and perform to around 4,000 concert goers. The opening concert in Merano, Italy, on 17 September, was the Baltic Sea Philharmonic’s third appearance at the Merano Music Festival. The following evening the orchestra made its debut in Munich, performing in the Bavarian capital’s beautiful Hercules Hall. Staying in Germany, the orchestra performed in Halle (Saale) on 20 September, in a concert in memory of the late former German Foreign Minister Hans-Dietrich Genscher.

The orchestra next gave the opening concert of the 25th Usedom Music Festival in Peenemünde on 22 September. The sold-out concert was attended by 1,300 people, including the German Chancellor Angela Merkel, who in her opening address praised the orchestra’s ‘depth and elegance’ and recognised its contribution to uniting people across the Baltic Sea region: ‘The members of the orchestra embody international understanding; they use music as a timeless language that can be understood across borders.’

The Peenemünde concert was streamed live to 5,000 viewers on the Baltic Sea Philharmonic’s Facebook page, and was also recorded by Norddeutscher Rundfunk (NDR) for broadcast shortly. The orchestra’s ‘Nordic Pulse’ tour ended with a concert at the Polish Baltic Philharmonic in Gdańsk to mark the 100th anniversary of the formation of the Polish state.

Critical and public acclaim
The Baltic Sea Philharmonic’s signature memorised performances made a striking impression on both critics and concert goers alike. In his review of the Munich concert for the online music magazine KlassikInfo, Klaus Kalchschmid wrote: ‘Free to move and express themselves physically, without the restriction of chairs and music stands, every musician performed visually as well as sonically. They gave an inspired performance, and were 100 per cent in the music while still connecting with the audience in the hall. Järvi himself was electrifying as conductor.’

Debora Nischler, a concert goer who was in the audience in Merano, commented on Facebook afterwards: ‘It is great that you have the courage to go beyond the limits and conventions of a classical music performance. Now the last step is to transform the concert into a true standing concert – not just on stage but also for the audience. Believe me, it’s hard to stay in your seat and keep that “I’m at a cultural event so I have to behave seriously” expression when every inch of your body is vibrating.’

Still more to come in 2018
The Baltic Sea Philharmonic has one more special tour which will cap its landmark tenth year: in November 2018 the orchestra will make its first ever tour of the United Arab Emirates, where in collaboration with Sunbeam Productions it will perform its groundbreaking ‘Waterworks’ programme in Abu Dhabi and Dubai.

See our Facebook page for concert videos, performance shots and behind-the-scenes photos from the ‘Nordic Pulse’ tour

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BALTIC SEA PHILHARMONIC SET FOR ‘NORDIC PULSE’ TOUR OF ITALY, GERMANY AND POLAND

A week from today, the Baltic Sea Philharmonic will begin its major European tour of 2018, ‘Nordic Pulse’. Inspired by the 100th anniversary of independence for the Baltic States of Lithuania, Latvia and Estonia, ‘Nordic Pulse’ also celebrates 100 years of independence for Finland and Poland and, moreover, ten years since the birth of the Baltic Sea Philharmonic itself. Having made history in 2017 as the first orchestra to perform Stravinsky’s The Firebird from memory, the Baltic Sea Philharmonic will play the entire second half of the ‘Nordic Pulse’ programme by heart.

The tour begins in Merano, Italy, on 17 September, with a concert at the Merano Music Festival. The orchestra then travels to Germany, where it will perform in Munich for the first time, on 18 September. After a performance in Halle (Saale) on 20 September, the Baltic Sea Philharmonic will give the opening concert of the 25th Usedom Music Festival in Peenemünde on 22 September. The tour concludes with a performance in Gdańsk, Poland, on 24 September.

Under its Estonian-born conductor Kristjan Järvi, the orchestra will bring together music by composers from Lithuania, Latvia, Estonia, Finland and Poland in a programme that celebrates the energy, strength and natural wonders of these proud Baltic Sea nations. Polish composer Wojciech Kilar’s Orawa, which opens the programme, is inspired by the highland folklore and landscapes of the Tatra Mountains. Lithuanian composer Gediminas Gelgotas captures the power of nature in Mountains. Waters. (Freedom), a majestic piece that the Baltic Sea Philharmonic premiered in 2015. Norwegian violinist Mari Samuelsen joins the orchestra to perform two works by Estonian composers: Arvo Pärt’s Fratres and Kristjan’s violin concerto Aurora. The orchestra will then give memorised performances of Sibelius’s concert suite from The Tempest and the first movement of Latvian composer Imants Kalniņš’s ‘Rock’ Symphony.

For Kristjan, nature drives the particularly Nordic vision and creativity that infuse ‘Nordic Pulse’. ‘Nature gives us the impulse to act,’ he says, ‘and Nordic nature gives us a special kind of impulse.’ This is also a programme that, characteristically for the orchestra, links the past and the present, and Kristjan sees strong parallels between the declaration of independence by the Baltic States in 1918 and the birth of the Baltic Sea Philharmonic just ten years ago. ‘These nations saw the opportunity to assert themselves a century ago,’ he says. ‘People came together to create a nation, a new identity. We created the Baltic Sea Philharmonic with the same spirit. By bringing together musicians from all around the Baltic Sea, the orchestra has always stood for unity.’

For more about the music and musicians of ‘Nordic Pulse’, see the complete Nordic Pulse 2018 Tour Programme

Nordic Pulse Tour
Monday, 17 September 2018, Merano Music Festival, Kursaal, Merano (Italy), 8.30 pm
Tuesday, 18 September 2018, Residenz, Herkulessaal, Munich (Germany), 8.00 pm
Thursday, 20 September 2018, Handel Hall, Halle (Saale) (Germany), 7.30 pm
Saturday, 22 September 2018, Usedom Music Festival, Kraftwerk Museum Peenemünde, Island of Usedom (Germany), 8.00 pm
Monday, 24 September 2018, The Polish Baltic Philharmonic, Gdansk (Poland), 7.00 pm (without soloist)

Baltic Sea Philharmonic
Kristjan Järvi
Mari Samuelsen

Wojciech Kilar
Orawa
Gediminas Gelgotas
Mountains. Waters. (Freedom)
Arvo Pärt
Fratres for violin, percussion and string orchestra
Kristjan Järvi
Aurora for violin and orchestra
Jean SibeliusThe Tempest concert suite  – from memory
arranged by Kristjan Järvi
Imants Kalniņš
Symphony No. 4 ‘Rock’ Symphony, 1st movement – from memory

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BALTIC SEA PHILHARMONIC WITH ACCLAIMED CONCERTS AT KISSINGER SOMMER FESTIVAL IN GERMANY

The Baltic Sea Philharmonic has opened its landmark tenth season of international touring with concerts at the Kissinger Sommer music festival in Bad Kissingen, Germany. Under the baton of Kristjan Järvi, the orchestra made its debut at the prestigious Bavarian music festival on 7 July with a new programme called ‘Nordic Pulse’, which showcases music by composers from the Baltic Sea region. Then on 9 July the Baltic Sea Philharmonic performed its unique ‘Waterworks’ programme in a spectacular concert presentation featuring cutting-edge lighting and sound design in collaboration with Sunbeam Productions. Bavarian public-service broadcaster Bayerischer Rundfunk recorded both performances for radio broadcast on 30 July (‘Waterworks’) and a future date (‘Nordic Pulse’). The orchestra’s stay in Bad Kissingen also included a special ‘Waterworks’ school concert for more than 600 children.

‘Nordic Pulse’: a celebration of freedom
The ‘Nordic Pulse’ concert at the Kissinger Sommer festival was a foretaste of the orchestra’s major ‘Nordic Pulse’ tour this September. In Bad Kissingen the Baltic Sea Philharmonic performed works by the Estonian-born Kristjan Järvi, the contemporary Lithuanian composer Gediminas Gelgotas, and Tchaikovsky. The concert opened with Kristjan’s Aurora, a piece inspired by the iconic Northern Lights, and closed with his arrangement of Tchaikovsky’s ballet Sleeping Beauty. A live recording of the orchestra’s performance of Kristjan’s arrangement is set to be released later this year.

The centrepiece of the ‘Nordic Pulse’ concert was the world premiere of Gediminas’s Violin Concerto, with its dedicatee, Swiss violinist David Nebel, as soloist. Speaking after the performance, David was full of praise for his collaborators: ‘I couldn’t imagine anyone else partnering me in this work but Kristjan and the Baltic Sea Philharmonic. The concerto is a brilliant piece and I’m so proud of everyone who supported me in this performance and the rehearsal process.’

The orchestra’s playing made a big impression on the reviewer for the Würzburg-based Main-Post, who wrote: ‘This ensemble of young, outstanding musicians from ten countries bordering the Baltic Sea can only be described as excellent. Compact, powerful, graceful and filigree, warmly shimmering in the overall sound, here was music played with dedication, concentration and passion, and of course with great skill.’

Return of the revolutionary ‘Waterworks’
The Baltic Sea Philharmonic won acclaim in 2017 for its water-inspired concert presentation ‘Waterworks’, a bold new fusion of music, light, visual art and sound design in collaboration with Sunbeam Productions. The orchestra brought ‘Waterworks’ to Bad Kissingen on 9 July with a programme of original arrangements of Handel’s Water Music and a new orchestral version of Philip Glass’s Aguas da Amazonia, a piece inspired by the Amazon river and its tributaries. The Kissinger Sommer audience had never experienced anything quite like this immersive symphonic production, and the orchestra’s powerful performance, in combination with Bertil Mark’s lighting design and Holger Schwark’s sound engineering, thrilled concert goers and critics alike.

The Main-Post reviewer summed up the joyful atmosphere at the end of the concert, when Kristjan got the audience joining in with an encore of the Aguas da Amazonia finale: ‘Hundreds of people, of all ages, standing and cheering, dancing and singing, clapping rhythms and waving their arms… No, this wasn’t Woodstock on Monday evening; this was the venerable Max-Littmann-Saal in tranquil Bad Kissingen!’

Kristjan said after the ‘Waterworks’ performance: ‘This project is inspired by water, and in particular by something that’s absolutely precious to the Baltic Sea Philharmonic, and that’s the Baltic Sea itself. It’s our sea, our water, the key to our life and our existence. We want to share that inspiration with our audience, and I’m delighted to see that people were enthralled by tonight’s performance.’

‘Waterworks’ school concert inspires next generation
On the morning of 9 July in Bad Kissingen the Baltic Sea Philharmonic performed an hour-long school concert for more than 600 children aged 6 to 18, featuring selections from the main ‘Waterworks’ programme. Two musicians from the orchestra, double bassist Miranda Erlich and violist Maximilian Procop, moderated the concert. Audience member Rüdiger Wiesenhütter, a music teacher at the Friedrich-List-Gymnasium in Gemünden am Main, praised the orchestra’s commitment and passion on Facebook: ‘My students and I loved the concert. The Handel was awesome and very clean. And Aguas da Amazonia really was impressive. Everyone could immediately feel the enthusiasm of the musicians and their love for music.’

‘Nordic Pulse’ tour to Italy, Germany and Poland
The Baltic Sea Philharmonic’s major ‘Nordic Pulse’ tour will take place this September as a double celebration. It marks ten years since the orchestra’s creation and 100 years of independence for the Baltic republics of Estonia, Latvia and Lithuania, as well as Finland and Poland. The tour begins on 17 September in Italy at the Merano Music Festival. The orchestra then travels to Germany, where it will play in Munich, Halle (Saale) and at the Usedom Music Festival in Peenemünde. The tour concludes on 24 September in Gdańsk, Poland. Norwegian violinist Mari Samuelsen will join the orchestra for a programme of music by Arvo Pärt, Kristjan Järvi, Gediminas Gelgotas, Wojciech Kilar, Imants Kalniņš and Sibelius. The second half of the programme will be performed entirely from memory.

For the full ‘Nordic Pulse’ September tour schedule and programme details, and to book tickets, see here. And see photos of the Kissinger Sommer concerts on our Facebook page

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BALTIC SEA PHILHARMONIC CELEBRATES TEN YEARS SINCE FIRST CONCERT

Ten years ago, on 4 June 2008, the orchestra that was to become the Baltic Sea Philharmonic gave its first ever concert, in the Latvian capital Riga. Under the baton of Estonian-born conductor Kristjan Järvi, the musicians of the Baltic Sea Youth Philharmonic performed Dvořák’s ‘New World’ Symphony, a new commission – Burning Fiery Furnace by Niels Marthinsen, and Beethoven’s Triple Concerto with Danish violinist Søren Elbæk, Latvian pianist Lauma Skride and Lithuanian cellist David Geringas. The ensemble would go on to repeat the programme some three months later in Peenemünde on the island of Usedom, at the Usedom Music Festival.

‘The atmosphere at both concerts was exhilarating,’ recalls Thomas Hummel, Director of the Usedom Music Festival and Executive Director of the Baltic Sea Philharmonic. ‘Everyone involved had the feeling that something great was just beginning. The musicians of the orchestra, who came from Denmark, Estonia, Finland, Germany, Latvia, Lithuania, Norway, Poland, Russia and Sweden, all embraced the idea that they weren’t just making great music together but were also being great neighbours.’

The new orchestra was born out of an idea from the Usedom Music Festival and sponsor Nord Stream AG – the operator of the natural gas pipelines through the Baltic Sea – to unite young musicians from all ten Baltic Sea countries, and engender through music a spirit of cooperation and harmony between people from a historically divided region. Ten years on, the Baltic Sea Philharmonic has become a movement for bringing people together, connecting communities from Norway to Russia. The youth ensemble that gave two concerts in 2008 is now an award-winning orchestra that tours throughout Europe and beyond, performing around a dozen concerts a year in some of the most prestigious venues, from the Théâtre des Champs-Elysées in Paris to Hamburg’s Elbphilharmonie. Thousands of young players from the Baltic Sea region, most aged between 20 and 30, have auditioned to play in the orchestra, with nearly 700 so far earning the opportunity. Under the dynamic leadership of Kristjan Järvi, the Baltic Sea Philharmonic is rewriting orchestral conventions – pioneering new concert experiences through the use of technology and design, and performing symphonic scores from memory. With its commitment to education and the environment, and its dedication to empowering musicians and inspiring audiences, the orchestra is set to take its message of unity and international understanding ever further in the years to come.

Highlights of the first ten years
Within just a few years of its launch, the young orchestra had established an international reputation. On the invitation of German Chancellor Angela Merkel, the ensemble performed at the opening of the Council of Baltic Sea States summit in Stralsund, Germany, in 2012. A year later, the orchestra inaugurated the ‘Baltic Focus’ at the Schleswig-Holstein Music Festival, one of the world’s largest classical music festivals. The orchestra’s successful international touring was paralleled by its burgeoning education programmes, ranging from the specialist coaching for its musicians to workshops for young conductors and composers, and concerts for schools. In 2013 the Baltic Sea Music Education Foundation was created to consolidate these activities and to develop a sustainable education strategy for the Baltic Sea region.

By 2014 the orchestra was selling out prestigious venues on tour, including the Berlin Philharmonie, and performing with world-class soloists such as Julia Fischer and Valentina Lisitsa. The ensemble’s impact as a symbol of international cooperation was recognised in 2015 with the award of the European Cultural Prize from the European Foundation for Culture ‘Pro Europe’. In 2016 the orchestra was renamed the Baltic Sea Philharmonic and toured with Gidon Kremer and the Kremerata Baltica. In the same year, the orchestra’s second album was released on Sony Classical – an orchestral version of Wagner’s The Ring, arranged by Henk de Vlieger.

The Baltic Sea Philharmonic made history in 2017 by becoming the first orchestra in the world to perform Stravinsky’s The Firebird from memory, setting in motion a new plan to play certain symphonic works by heart on future tours. The experience of performing The Firebird from memory was a liberating and inspirational one for many of the orchestra’s musicians, and Kristjan Järvi, who has always encouraged the players to be open and fearless in their music-making, says: ‘Musicians came up to me afterwards saying, “We want to memorise everything. We only want to play from memory from now on.” That is a brilliant attitude.’ Also in 2017 the orchestra pioneered a thrilling immersive concert experience for its nature-inspired ‘Waterworks’ tour, combining cutting-edge projection art with atmospheric sound and lighting design, in collaboration with Sunbeam Productions. By the start of 2018 the orchestra had performed for around 100,000 concert goers in 47 cities in 14 countries, and given nearly 100 concerts in ten years.

Soloists and collaborators
Some 24 soloists have performed with the orchestra since its first concert in Riga in 2008. Among them are world-class artists such as Angela Gheorghiu, Jonas Kaufmann, Jan Vogler, Martin Fröst and Alexander Toradze, and leading young soloists including Hyeyoon Park, Jan Lisiecki and Mikhail Simonyan. Guest conductors have included Kristjan Järvi’s father Neeme Järvi, and also Kurt Masur, who conducted the orchestra at the opening of the Usedom Music Festival in 2012 and again in 2013. Masur, who died in 2015 at the age of 88, played a vital role as peacemaker in Leipzig during protests against the East German regime in 1989, and later conducted the city’s Gewandhausorchester in Beethoven’s Ninth Symphony at the official celebration of German reunification in 1990. For Kristjan Järvi, Masur’s role as a unifying voice in a divided Germany makes him an important personality in the Baltic Sea Philharmonic’s history and identity: ‘He is one of the biggest heroes and role models we’ve been fortunate to have participate in our project. One of our clear missions is to unify East and West through music and culture, and to have Kurt Masur involved was a big stamp of approval, an endorsement that what we are doing is right.’

See the Baltic Sea Philharmonic’s latest concert schedule and book tickets here. For photos and videos of performances from the orchestra’s past tours, check out our Facebook page and YouTube channel

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